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It’s always such a joy to hear from Roberta Malcolm, of the Country Day School in Huntsville, Alabama. Her programs are thoughtful and creative, and the few times we’ve had an opportunity to see them through photographs, our assumptions were correct: the children are engaged and enthralled by Roberta’s inspired programming and pedagogy. I’ll let her share what she has planned for 2010:

Since 2002, I have honored September 11th with some special reading, display or movie. In 2009 we watched Man on Wire and sent a letter to M. Petit. In the past, we have talked about the dog heroes, tugboat heroes and I will never stop reminding the students about what a wonderful country we live in. I will continue that tradition this year with 14 Cows for America by Carmen Agra Deedy, Thomas González (Illustrator), Wilson Kimeli Naiyomah. I just returned from a trip to Africa ( So. Africa,Tanzania, and Kenya) which my students have been hearing the planning for during the past school year. During my travels, I was able to visit a Maasai village and school. My students will hear about my visit in connection with September 11th and how that event has impacted the world.

We were very pleased to hear from the Public Library Berio of Genoa (Italy) this year, which is participating in the September project for the 5th time. Welcome back!

This year our commemoration is called “WAR! – Yesterday’s and today’s conflicts,” a public conference with a slide show by Livio Senigalliesi,  photojournalist.

From the falling of the Wall in Berlin to the civil war in former Jugoslavia, from Iraq to Kurdistan, from the genocide in Rwanda to the wars in Caucasus… the report of more than 20 years of history of the world in the career of a war photography freelance.

Livio Senigalliesi, from Milan, has published wide coverages   on the most important european magazines and newspapers: Corriere della Sera, Repubblica, l’Europeo, l’Espresso, Epoca, Panorama, Il Manifesto, Avanguardia, El Pais, Liberation, Facts, Die Welt, Berliner Morgenpost, Stern, Frankfurter Allgemeine, Time Magazine.

Saint Martin’s University in Lacey, Washington has announced their participation in the September Project. Their events focus on “how libraries can help explore controversial topics.”

A Digital Journalism class will explore the controversy surrounding the Olympia food co-op’s Saint Martin's Universitydecision to boycott Israeli products (on a local scale) and issues surrounding the Israeli/Palestinian conflict (on a global scale).

The Digital Journalism students will research the topic and create a slide show which will include 40-80 quotes, various sources and images, representing multiple perspectives on the issue. The slide show will run on the library wall monitors during a week in September. This slide show will also be made available online.

September Project 2010

Back in spring, we asked members of The September Project about the future of the project. In particular, we asked whether or not the project – now in its 8th year – should continue.

Some of you answered, absolutely, the project should continue:

“Freedom, community, etc. do not go out of style, and new generations need to hear the message.”

“In this time when anti-intellectuals, intolerant people, and the ignorant are rampant, we need things like The September Project. If anything, it needs to expand.”

And some of you answered, it’s time for the project to end:

“When the September Project drifted away from its original purpose of remembering 9/11 in a coordinated movement it lost its interest to me.”

“Programming occurs year round. No need to designate events in September as The September Project in order to attract audiences.”

Much of what we heard from you were statements encouraging us to continue the project. One such statement was particularly moving:

“I think the September Project taps into the essential purpose of libraries in our community and our world. While we could do this alone, I think doing it together makes the message so much more powerful. It links us to something outside our community and it forges a bond for our common purpose. It also helps draw attention by the media by being something bigger than just our communities. Please let’s find a way to keep this project going for years to come.”

Let’s find a way:  welcome to The September Project 2010!

This year, we’d like YOU to help contribute content by blogging on our site about events, about ideas, and about your library’s participation. We’re not asking for much; if a group of people blog a few times, we’ll have more community-inspired content providing a more rich experience for participants.

If you plan to participate in the project this year, please consider writing just one blog post. The more voices, the stronger the community.

If you are interested, please contact us – either by email, by replying to the mailing list, or, preferably, by adding a comment below.

Soon we’ll post more information about this year’s project, but in the meantime we want to welcome all of you to The September Project 2010.

surveying the landscape

david and i would like to know your thoughts on the future of the september project. if you have participated in the project, please consider completing a short survey. we’d love to hear from you. thanks!

We recently received an email from Fatima Darries, Faculty Library Leader of Economic and Management Science at Merensky Library at the University of Pretoria in South Africa. Fatima writes:

Dear Colleagues,

Rather late than never, I would like to tell you about the Library of the University of Pretoria’s September Project.

September is heritage month in South Africa, and a good opportunity to celebrate our freedom, in particular our freedom of expression. We decided to do an exhibition of books that were banned during the Apartheid era, and encourage students to read the once banned books.

Supported by our literature information specialist, Adrienne Warricker, one of our assistants, Niel de Kock, hunted down these previously banned books in our collection. This task was unexpectedly more difficult than we anticipated because these books were now completely integrated into the collection, when they were previously in a separate special collection. We also found many of the previously banned books were not in our collection, exactly because they were banned, and libraries had to have special motivations to acquire them during the Apartheid era. Many more is now out of print.

We also called in the help of our colleague in Special Collections, where the previously banned books were housed before their integration into the open collection. He explained what the process and procedures were around access to these books. We thank Pieter van der Merwe for his contribution.

On the 17th of September we had our exhibition in the main library. I include some photos of the exhibition. Niel de Kock also compiled a presentation which we ran on the plasma screens in the Library on that day and subsequently during September.



As many of you know, David and I have been preoccupied with things a bit more cute and cuddly than the September Project… the birth of our daughter. While I haven’t had time to blog on the site, I have had time to reflect upon all of the incredible work libraries do each day in addition to the inspiring events filling the September Project listserv and web site.

banned books baby

Before our daughter arrived, I had some time to consider her future as a library user and created a slogan for a t-shirt that bespoke her mom’s passions. What better way to share my thoughts than emblazon them on my daughter? :)

Here’s to everything libraries stand for, and to all of the future library users out there who will continue to benefit from the hard work of librarians everywhere.

Cynthia Garrick, the reference services librarian for Yakima Valley Libraries in Washington, just announced details of their September Project, “Coming Home From War.” Yakima Valley Libraries will show Alive Day Memories: Home from Iraq. In this heartbreaking documentary, three-time Emmy winner James Gandolfini interviews ten wounded soldiers who served in Iraq. The film explores the sacrifices that soldiers make in service to their country.

Following the film, Maria Rivera, the readjustment counselor for Yakima Vet Center and Graciela Marroquin, the Wraparound Care Coordinator for Central Washington Comprehensive Mental Health will answer questions about the challenges soldiers face upon their return from combat.


Cynthia Dutton has just notified us that Cuba Circulating Library in New York will present a talk by Public Affairs Officer Maj. Katherine Oliver, who was deployed to Afghanistan. She will discuss the people and culture of Afghanistan, with a special emphasis on issues that directly affect women. This talk will complement a book discussion on A Thousand Splendid Suns by Khaled Hosseini, bestselling author of The Kite Runner.

What is so awesome about this event is how it gives people a chance to hear about what life is like in Afghanistan from an American hero who actually served there. We also applaud their efforts to discuss “women’s issues” because matters that concern women invariably concern society as a whole.

TSP event update:  Just got some exciting news from Esperanza Sanchez in Argentina!

The Argentinean Cultural Institute and Lincoln Library

Are hosting

“Walking in New York”

Intervened pictures and paints by

Sabrina Díaz

August 28th to September 25th at 672 Maipu Street, Buenos Aires – Argentina

The show will be opened from Monday to Friday 9am-9pm

Sabrina Díaz is a visual artist, who graduated from the Visual Art School of Lomas de Zamora in Buenos Aires. She Specialized in Photography, Digital Art and Painting. At the moment, she is the manager of the Visual Ideas Department, in the Cooperation Cultural Center Floreal Gorini.  Sabrina has been producing and exhibiting her art since 2003.

In the fog of memories, Sabrina Díaz builds her universe. Her visible topic:  New York City. Its buildings, its parks, its skies.  As flashes are fixed in remembrance, this reality will later become a route full of sensation and experience.  Just like in her previous exhibition in 2007, the artist mixes different procedures: digitally intervened pictures, acrylic painting, watercolor pencils applied on canvas or on paper (providing different chromatic effects). The limits between digital and film pictures are no longer clear.  She is producing works in which the general climate goes beyond any technique. New York, the visible subject, becomes a dream, the place where Sabrina Díaz reveals her interior world with an intense poetic dimension.

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